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  <url>
    <loc>http://enricowey.com/previous</loc>
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    <lastmod>2017-01-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1470321424006-D2XK7WMPM8VY61OHYRD2/warring+states.jpg</image:loc>
      <image:title>gallery - to warring states, a useless tool</image:title>
      <image:caption>built by enrico d wey lighting designed by elliott jenetopulos costume designed by oksana meister _______________________________ march 31st, april 1st, april 2nd | 2016 _______________________________ danspace project new york city</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1470321424006-D2XK7WMPM8VY61OHYRD2/warring+states.jpg</image:loc>
      <image:title>gallery - to warring states, a useless tool</image:title>
      <image:caption>built by enrico d wey lighting designed by elliott jenetopulos costume designed by oksana meister _______________________________ march 31st, april 1st, april 2nd | 2016 _______________________________ danspace project new york city</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1485816131143-TB5G2P957WYOEB9397EO/%21DSC_0228.jpg</image:loc>
      <image:title>gallery - social muscle club</image:title>
      <image:caption>November 2015. Berlin, Germany c|</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1485816024629-BWEYUEPMIG7RUOTH4GDX/Friday+evening+performance+02.jpg</image:loc>
      <image:title>gallery - waxing and waning and small tokens.</image:title>
      <image:caption>with Jen Rosenblit for the Boffo NY Summer Festival. August 2015.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1437655583430-4QZA92QO0IOEW7DUCZR4/image-asset.jpeg</image:loc>
      <image:title>gallery - 1, this useless tool, this folded flower</image:title>
      <image:caption>abrons art center | nyc | march 28/29, 2015  halocene | portland, OR | april 2, 2015 c| ian douglas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1406319762095-AQ9OPQ8MQXFLGHOHXA7U/image-asset.jpeg</image:loc>
      <image:title>gallery - where we are right now</image:title>
      <image:caption>interpreted by : simon courchel | john mcgrew | jeremy pheiffer | mary read Sunday, June 22 | 7pm and 8pm  Tuesday, June 24 | 7:30pm Pier 15, River to River Festival, Lower Manhattan Cultural Council, 2014 c | alp klanten</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1406319860444-XDOH81SWXUANGFCYIGOS/image-asset.jpeg</image:loc>
      <image:title>gallery - where we are right now</image:title>
      <image:caption>interpreted by : simon courchel | john mcgrew | jeremy pheiffer | mary read Sunday, June 22 | 7pm and 8pm  Tuesday, June 24 | 7:30pm Pier 15, River to River Festival, Lower Manhattan Cultural Council, 2014 c | alp klanten</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374149464474-38IXJMHALDIXT8TG1IQO/Wey_SimonCourchel+2.jpg</image:loc>
      <image:title>gallery - harmony hard, a pulsing vein</image:title>
      <image:caption>Danspace Project, NYC   collaboration with jon kinzel April 2013 An invitation from Enrico D. Wey to multi-media artist Jon Kinzel to work on a collaborative duet. Acknowledging and accepting the realities of their varying histories, Wey and Kinzel incorporate physical partnering, dance, and a considered visual aesthetic. Wey and Kinzel aim to accentuate the architecture of St. Mark’s Church by framing a smaller passage within it. The rigor of their exchange serves as an undercurrent for this duet, inspired in part by Chinese garden arrangement and scroll paintings. sound by tei blow   Mr. Wey and Mr. Kinzel rearrange the audience into two facing rows and dance between them, apart on either side or meeting in the middle. When they’re together, the men have a curious intimacy, manipulating each other with gentle flicks. Mr. Kinzel holds Mr. Wey by the chin. Mr. Wey places his feet on top of Mr. Kinzel’s. Mr. Kinzel carries the smaller Mr. Wey, and vice versa. What’s most interesting is how this engagement coexists with detachment, each man seemingly lost in his own thoughts. Alone, Mr. Kinzel is both supple and fussy, nervously bouncing his fingers together. Mr. Wey is more vigorous, doubling over and expelling air again and again or savagely lunging through space.  - New York Times c | simon courchel</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1437834134395-1QAR9QXRGR2BIN2V5451/image-asset.jpeg</image:loc>
      <image:title>gallery - ...or and animal...</image:title>
      <image:caption>collaboration with chris cochrane, jassem hindi, and jen rosenblit American Realness Abrons Art Center , NYC January 2013   "For … or and animal… musicians Chris Cochrane and Jassem Hindi come together with dancers Jen Rosenblit and Enrico D. Wey for an evening of improvised performance. Four people, multiple identities. How do we sense this, or not? For example: thinking of Pasolini, simultaneously a communist, a Catholic, and a homosexual. How did he make sense of these conflicting idea(l)s? Were they conflicting? Were there commonalities? Ecstatic and/or linguistic actions? Traditions and rituals? New constructs? What was expressed? What wasn't? This evening holds similar uncertainties to be revealed through their action. With as little sentiment as possible, as if a wet stick with some mud..."   ...an extraordinary mover, the kind with whom the bizarre becomes haunting and even beautiful. In one sequence — he had stripped to wear only a vest and underpants — he progressed slowly across the back of the space, his torso leaning forward. Each advancing step began on the ball of his foot, then fell onto his sole; the rhythm and physical pressure of this simple phrase had an astonishingly rich texture and precision.  - New York Times    c | ian douglas</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374149382753-S867KASR19U0A9I6I9E2/Fresh_Tracks_Photo_By_Michael_Hart11+%283%29.JPG</image:loc>
      <image:title>gallery - heart ain't in it: 4 chamber studies</image:title>
      <image:caption>Fresh Tracks   Dance Theater Workshop, February 2010 A case study in shifting performance presence, theater/dance versus live bands, chambers of the heart, performance as reality, the “replaceable” performer, forcing close up views through exacting minutiae. caitlin marz, elissa spencer, samuel stein, enrico d wey music by skip james, interpreted by great republic of rough and ready   ...resonates on many levels—from theoretical questions about the nature of performance and of identity, to the practical matter of teaching living works to new performers over time and how it changes the work. - mediatized ...a performance of inverse, a showcase of absence... - Brooklyn Rail ...presents an interesting paradox of the easily replaceable dancer.  - iDanz c | michael hart</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374149577481-0LACCI3JX1NQW76HGP9Q/_B5N0176.JPG</image:loc>
      <image:title>gallery - radiate! ruminate! rejoice!</image:title>
      <image:caption>puppet labapalooza st anns warehouse, nyc june 2007   a toy theater piece examining the plight of the Radium Watch Dial Painters (Orange, New Jersey, 1917), focusing on the relationship of cousins Katherine Schaub and Irene Rudolph as radium poisoning invaded their bodies molly theobald, alexis silver music by samuel stein c | richard termine</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374149421656-71NTCHEJVJA9MPNS02SF/_HCK0192.JPG</image:loc>
      <image:title>gallery - standard gravity part2b</image:title>
      <image:caption>Danspace Project, NYC   January 2009 A Study in: A) Preservation, memories, recall, nostalgia.  B) Standard gravitational acceleration, trajectory, plunging headfirst into, freefall, diving. C) The movable parts in correlation with and in conjunction with points A and B. hooba bjornevold, cindy chung-camins, stine moen, sarah a.o rosner, enrico d. wey, lori yuill music by samuel stein   Two budding choreographers shared the stage... in a double bill that examined degrees of stillness... With his penchant for quick cuts, Mr. Wey seems to address his material from a filmmaker’s point of view.  - New York Times Enrico D. Wey's offbeat and pitch-perfect performers arrange themselves within imagined horizontal, vertical and psychic layers of St. Mark's sanctuary in such a cool, detached way that the viewer dare not even breathe too deeply for fear of creating a disturbance. - Infinite Body  c | ryutaro mishima</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374149423430-Z2SQEPMRO9YKO847QV89/_MG_0112.jpg</image:loc>
      <image:title>gallery - study in proportional growth</image:title>
      <image:caption>puppet labapalooza st anns warehouse, nyc june 2006   a live animation exploration into -the inner ear -the golden ratio -a journey reminisced  -the notion of “home”  c | richard termine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374149330341-FXCACC2BMLQDS9GNAXXD/DSC00041.JPG</image:loc>
      <image:title>gallery - approximation of lingual aesthetics (video still)</image:title>
      <image:caption>collaboration with choreographer lucy lee yim chocolate factory theater december 2005    "part classroom demonstration, part performance. A collaboration between performer/video artist Enrico D. Wey and choreographer Lucy Yim inspired by the life of Karl von Frisch, who won the Nobel Prize in 1973 for his elucidation on the behavior of honeybees, specifically for his discovery of their communicative uses of dance (hive bees use the "round" and the "waggle" dance jointly to communicate the location of a source of food). An Approximation irreverently merges von Frisch’s scientific findings with the awkward machinations of two people who find themselves consumed by a single source of fascination - honey. Interlaced with found footage and text, a typical scholastic atmosphere soon slides off the scales as Fig.1 and Fig.2 are enveloped by a tiny, tiny obsession that puts their congruence at odds with one other."</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374176160590-ZIHDMAAEXGICCYJXNEVY/DSC00218.jpg</image:loc>
      <image:title>gallery - the secretary (video still)</image:title>
      <image:caption>digital rotoscope animation lucy lee yim 2004</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374149334981-UL3UA998AN6GUZYFTSFV/DSC00016.JPG</image:loc>
      <image:title>gallery - the housewife (video still)</image:title>
      <image:caption>a short film animating and reanimating  the life of marie curie  miriam levin 2004</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://enricowey.com/new-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-07-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1436822019099-ZEN35A6QXPFUBH39GDWU/_75X4117.jpg</image:loc>
      <image:title>this folded flower</image:title>
      <image:caption>this useless tool, this folded flower abrons art center | nyc | march 28/29, 2015 c | ian douglas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1436822019099-ZEN35A6QXPFUBH39GDWU/_75X4117.jpg</image:loc>
      <image:title>this folded flower</image:title>
      <image:caption>this useless tool, this folded flower abrons art center | nyc | march 28/29, 2015 c | ian douglas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1436821656345-SR28A4WSZFK4VJ9KTM1A/_75X3828.jpg</image:loc>
      <image:title>this folded flower</image:title>
      <image:caption>looking down, looking within himself, within that head that mind that could not stop running with thoughts, with himself thinking, damn, hey, will you look at that, you there. hi. i think something is missing here. Could you, maybe, just look at me, damn. that hair, i want to run my...through that space between, your legs are sore from running so stop, and spread your lips and your legs are sore from running. this is a comfortable nest. rest. your lips within mine. part them. unwrap them this parcel this gift, this poison, this. i want to run my... through that space between you and i caught within the fine hairs that ran down the back of his neck  and  he stared, reached his arm forward, lips parting,</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1436813796953-TI7ZEQ4AOR4XEETAI503/_75X3796.jpg</image:loc>
      <image:title>this folded flower</image:title>
      <image:caption>you spend your time in a middle ground, not particularly great at anything, not a great son, not a great brother, not a great swimmer, athlete, activist, not a great friend, not a great fighter, not always a great listener, not a great american, not a great maker, not a great dancer, not a great body, not a great white shark, not so great to yourself. but decent. a decent person. a decent human being and you think this is the way it should be, where things are comfortable, where things go unseen, where the grey area feels expansive like a wool blanket and wraps you up and shrouds you from being more than.</image:caption>
    </image:image>
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    <loc>http://enricowey.com/present</loc>
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    <lastmod>2019-05-20</lastmod>
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  <url>
    <loc>http://enricowey.com/future-1</loc>
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    <lastmod>2014-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1399496118391-RZSK6QMXXP26ROIN7B9J/image-asset.jpeg</image:loc>
      <image:title>future</image:title>
      <image:caption>c | manuel moncayo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1388284914567-CXVQZLI8J9099BCOX4S3/27122013+29.jpg</image:loc>
      <image:title>future</image:title>
      <image:caption>c | manuel moncayo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://enricowey.com/labor-1</loc>
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    <lastmod>2014-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374147204163-QIZ9CXHPDOVRN4Q2UX9T/DSC00901.JPG</image:loc>
      <image:title>present</image:title>
      <image:caption>c | edw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374148623037-K5C1ST8JVBB5IH64515S/DSC00838.JPG</image:loc>
      <image:title>present</image:title>
      <image:caption>c | edw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1401661939509-5RZOXM7A0LU9X7TBKNWX/image-asset.jpeg</image:loc>
      <image:title>present</image:title>
      <image:caption>c | simon courchel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1374168438906-ESLW93B8ADKFCF9QQ5A3/E.+Wey-by+Ian+Douglas-00107+copy.jpg</image:loc>
      <image:title>present</image:title>
      <image:caption>c | ian douglas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://enricowey.com/press</loc>
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    <lastmod>2016-08-06</lastmod>
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  <url>
    <loc>http://enricowey.com/process</loc>
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    <lastmod>2025-12-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1484076700280-QL5NH124XPPI6SGCX847/image-asset.jpeg</image:loc>
      <image:title>process - I am currently engaged in the plasticity of memory, how it forms/reforms in a series of recalled actions. There is a particular restlessness to it. I am using memory recall as a creative practice to discover potential futures,  to excavate the interplay between memory, language, sensation, to see where/what things stick, and acknowledge the space and power of forgetting.   Then I make/shape something out of what is unearthed, often times performative and/or linguistic.   Memory needs a body, a container. I wonder how it can be harnessed or passed on.     (photo | Marion Borriss)</image:title>
      <image:caption>I am currently engaged in the plasticity of memory, how it forms/reforms in a series of recalled actions. There is a particular restlessness to it. I am using memory recall as a creative practice to discover potential futures,  to excavate the interplay between memory, language, sensation, to see where/what things stick, and acknowledge the space and power of forgetting. Then I make/shape something out of what is unearthed, often times performative and/or linguistic. Memory needs a body, a container. I wonder how it can be harnessed or passed on.   (photo | Marion Borriss)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://enricowey.com/progress</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-10-04</lastmod>
    <image:image>
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      <image:title>progress</image:title>
      <image:caption>this useless tool, this folded flower abrons art center | nyc | march 28/29, 2015 c | ian douglas</image:caption>
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      <image:title>progress</image:title>
      <image:caption>looking down, looking within himself, within that head that mind that could not stop running with thoughts, with himself thinking, damn, hey, will you look at that, you there. hi. i think something is missing here. Could you, maybe, just look at me, damn. that hair, i want to run my...through that space between, your legs are sore from running so stop, and spread your lips and your legs are sore from running. this is a comfortable nest. rest. your lips within mine. part them. unwrap them this parcel this gift, this poison, this. i want to run my... through that space between you and i caught within the fine hairs that ran down the back of his neck  and  he stared, reached his arm forward, lips parting,</image:caption>
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      <image:title>progress</image:title>
      <image:caption>you spend your time in a middle ground, not particularly great at anything, not a great son, not a great brother, not a great swimmer, athlete, activist, not a great friend, not a great fighter, not always a great listener, not a great american, not a great maker, not a great dancer, not a great body, not a great white shark, not so great to yourself. but decent. a decent person. a decent human being and you think this is the way it should be, where things are comfortable, where things go unseen, where the grey area feels expansive like a wool blanket and wraps you up and shrouds you from being more than.</image:caption>
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      <image:caption>Captured image for research, Blankenfelde</image:caption>
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      <image:caption>Common rehearsal room scene</image:caption>
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      <image:caption>Cover of Rhodia notebook, purchased oddly dimensioned one to promote usage.</image:caption>
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      <image:caption>as stated previously. 1.70 Euros. A deal.</image:caption>
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      <image:caption>within the Boros Collection, Conditions by Alicja Kwade. A broken mirror cast in bronze lies on the floor. Reminded me of a rice patty flooded with water.</image:caption>
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      <image:caption>an example of the Boustrophedon style of writing as taken from Wikipedia.</image:caption>
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      <image:caption>image drawn thinking of the yoke of the shoulders, the head, the fields, and an unending line as in the Boustrophedon. (School Notebook)</image:caption>
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      <image:caption>Image recurred in later Rhodia notebook entry.</image:caption>
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  </url>
  <url>
    <loc>http://enricowey.com/people</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-01-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51e7a48fe4b0a47634a12c2e/1464775103859-DIT9OSOZ5C3Y9UCTE54W/image-asset.jpeg</image:loc>
      <image:title>people</image:title>
      <image:caption>c | manuel moncayo</image:caption>
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  </url>
  <url>
    <loc>http://enricowey.com/past</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-27</lastmod>
    <image:image>
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      <image:title>past - to warring states, a useless tool</image:title>
      <image:caption>built by enrico d wey lighting designed by elliott jenetopulos costume designed by oksana meister _______________________________ march 31st, april 1st, april 2nd | 2016 _______________________________ danspace project new york city</image:caption>
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      <image:title>past - social muscle club</image:title>
      <image:caption>November 2015. Berlin, Germany c|</image:caption>
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      <image:title>past - waxing and waning and small tokens.</image:title>
      <image:caption>with Jen Rosenblit for the Boffo NY Summer Festival. August 2015.</image:caption>
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      <image:title>past - 1, this useless tool, this folded flower</image:title>
      <image:caption>abrons art center | nyc | march 28/29, 2015  halocene | portland, OR | april 2, 2015 c| ian douglas</image:caption>
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      <image:title>past - where we are right now</image:title>
      <image:caption>interpreted by : simon courchel | john mcgrew | jeremy pheiffer | mary read Sunday, June 22 | 7pm and 8pm  Tuesday, June 24 | 7:30pm Pier 15, River to River Festival, Lower Manhattan Cultural Council, 2014 c | alp klanten</image:caption>
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      <image:title>past - where we are right now</image:title>
      <image:caption>interpreted by : simon courchel | john mcgrew | jeremy pheiffer | mary read Sunday, June 22 | 7pm and 8pm  Tuesday, June 24 | 7:30pm Pier 15, River to River Festival, Lower Manhattan Cultural Council, 2014 c | alp klanten</image:caption>
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      <image:title>past - harmony hard, a pulsing vein</image:title>
      <image:caption>Danspace Project, NYC   collaboration with jon kinzel April 2013 An invitation from Enrico D. Wey to multi-media artist Jon Kinzel to work on a collaborative duet. Acknowledging and accepting the realities of their varying histories, Wey and Kinzel incorporate physical partnering, dance, and a considered visual aesthetic. Wey and Kinzel aim to accentuate the architecture of St. Mark’s Church by framing a smaller passage within it. The rigor of their exchange serves as an undercurrent for this duet, inspired in part by Chinese garden arrangement and scroll paintings. sound by tei blow   Mr. Wey and Mr. Kinzel rearrange the audience into two facing rows and dance between them, apart on either side or meeting in the middle. When they’re together, the men have a curious intimacy, manipulating each other with gentle flicks. Mr. Kinzel holds Mr. Wey by the chin. Mr. Wey places his feet on top of Mr. Kinzel’s. Mr. Kinzel carries the smaller Mr. Wey, and vice versa. What’s most interesting is how this engagement coexists with detachment, each man seemingly lost in his own thoughts. Alone, Mr. Kinzel is both supple and fussy, nervously bouncing his fingers together. Mr. Wey is more vigorous, doubling over and expelling air again and again or savagely lunging through space.  - New York Times c | simon courchel</image:caption>
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      <image:title>past - ...or and animal...</image:title>
      <image:caption>collaboration with chris cochrane, jassem hindi, and jen rosenblit American Realness Abrons Art Center , NYC January 2013   "For … or and animal… musicians Chris Cochrane and Jassem Hindi come together with dancers Jen Rosenblit and Enrico D. Wey for an evening of improvised performance. Four people, multiple identities. How do we sense this, or not? For example: thinking of Pasolini, simultaneously a communist, a Catholic, and a homosexual. How did he make sense of these conflicting idea(l)s? Were they conflicting? Were there commonalities? Ecstatic and/or linguistic actions? Traditions and rituals? New constructs? What was expressed? What wasn't? This evening holds similar uncertainties to be revealed through their action. With as little sentiment as possible, as if a wet stick with some mud..."   ...an extraordinary mover, the kind with whom the bizarre becomes haunting and even beautiful. In one sequence — he had stripped to wear only a vest and underpants — he progressed slowly across the back of the space, his torso leaning forward. Each advancing step began on the ball of his foot, then fell onto his sole; the rhythm and physical pressure of this simple phrase had an astonishingly rich texture and precision.  - New York Times    c | ian douglas</image:caption>
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      <image:title>past - heart ain't in it: 4 chamber studies</image:title>
      <image:caption>Fresh Tracks   Dance Theater Workshop, February 2010 A case study in shifting performance presence, theater/dance versus live bands, chambers of the heart, performance as reality, the “replaceable” performer, forcing close up views through exacting minutiae. caitlin marz, elissa spencer, samuel stein, enrico d wey music by skip james, interpreted by great republic of rough and ready   ...resonates on many levels—from theoretical questions about the nature of performance and of identity, to the practical matter of teaching living works to new performers over time and how it changes the work. - mediatized ...a performance of inverse, a showcase of absence... - Brooklyn Rail ...presents an interesting paradox of the easily replaceable dancer.  - iDanz c | michael hart</image:caption>
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      <image:title>past - radiate! ruminate! rejoice!</image:title>
      <image:caption>puppet labapalooza st anns warehouse, nyc june 2007   a toy theater piece examining the plight of the Radium Watch Dial Painters (Orange, New Jersey, 1917), focusing on the relationship of cousins Katherine Schaub and Irene Rudolph as radium poisoning invaded their bodies molly theobald, alexis silver music by samuel stein c | richard termine</image:caption>
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      <image:title>past - standard gravity part2b</image:title>
      <image:caption>Danspace Project, NYC   January 2009 A Study in: A) Preservation, memories, recall, nostalgia.  B) Standard gravitational acceleration, trajectory, plunging headfirst into, freefall, diving. C) The movable parts in correlation with and in conjunction with points A and B. hooba bjornevold, cindy chung-camins, stine moen, sarah a.o rosner, enrico d. wey, lori yuill music by samuel stein   Two budding choreographers shared the stage... in a double bill that examined degrees of stillness... With his penchant for quick cuts, Mr. Wey seems to address his material from a filmmaker’s point of view.  - New York Times Enrico D. Wey's offbeat and pitch-perfect performers arrange themselves within imagined horizontal, vertical and psychic layers of St. Mark's sanctuary in such a cool, detached way that the viewer dare not even breathe too deeply for fear of creating a disturbance. - Infinite Body  c | ryutaro mishima</image:caption>
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      <image:title>past - study in proportional growth</image:title>
      <image:caption>puppet labapalooza st anns warehouse, nyc june 2006   a live animation exploration into -the inner ear -the golden ratio -a journey reminisced  -the notion of “home”  c | richard termine</image:caption>
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      <image:title>past - approximation of lingual aesthetics (video still)</image:title>
      <image:caption>collaboration with choreographer lucy lee yim chocolate factory theater december 2005    "part classroom demonstration, part performance. A collaboration between performer/video artist Enrico D. Wey and choreographer Lucy Yim inspired by the life of Karl von Frisch, who won the Nobel Prize in 1973 for his elucidation on the behavior of honeybees, specifically for his discovery of their communicative uses of dance (hive bees use the "round" and the "waggle" dance jointly to communicate the location of a source of food). An Approximation irreverently merges von Frisch’s scientific findings with the awkward machinations of two people who find themselves consumed by a single source of fascination - honey. Interlaced with found footage and text, a typical scholastic atmosphere soon slides off the scales as Fig.1 and Fig.2 are enveloped by a tiny, tiny obsession that puts their congruence at odds with one other."</image:caption>
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      <image:title>past - the secretary (video still)</image:title>
      <image:caption>digital rotoscope animation lucy lee yim 2004</image:caption>
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      <image:title>past - the housewife (video still)</image:title>
      <image:caption>a short film animating and reanimating  the life of marie curie  miriam levin 2004</image:caption>
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